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Urmila Seshagiri

Urmila Seshagiri

March 9, 2023

headshot photo
ADDRESS
412 McClung Tower
Email
sesha@utk.edu
Website
https://useshagiri.com/

Urmila Seshagiri

Distinguished Professor in Humanities

Modernism, Contemporary Fiction, Postcolonial Literature, Women’s Writing

Urmila Seshagiri is Distinguished Professor in Humanities and Professor of English. She is also affiliate faculty in Global Studies and Cinema Studies. The author of Race and the Modernist Imagination (Cornell), she is writing a book about the complex legacy of modernist aesthetics in contemporary literature and culture, provisionally titled Still Shocking: 21st-Century Encounters with Modernism. She is the editor of Virginia Woolf’s The Life of Violet (Princeton), Jacob’s Room (Oxford), and To the Lighthouse (Norton; in preparation), and she is preparing the first scholarly edition of Woolf’s memoir, A Sketch of the Past (Cornell).

Professor Seshagiri’s research has been supported by the National Endowment for the Humanities, the American Philosophical Society, the New York Public Library, the National Humanities Center, and the Paul Mellon Centre for Studies in British Art. She serves as ‘Out of the Archives’ Editor for Feminist Modernist Studies, and her work has appeared in journals and edited collections including PMLA, Modernism/ modernity, Cultural Critique, and The Oxford Handbook to Virginia Woolf. She is a contributor to Public Books and the Los Angeles Review of Books.

Professor Seshagiri has received the campus-wide Chancellor’s Award for Excellence in Teaching and the College of Arts and Sciences’ highest teaching honor, the James R. and Nell W. Cunningham Outstanding Teaching Award. She is also the recipient of the College of Arts and Sciences Junior Faculty Teaching Award, the Department of English Hodges Award for Teaching Excellence, and the Graduate Students in English Outstanding Teaching Award. In 2015, she received an NEH Enduring Questions Grant to develop an undergraduate course called “What is Duty?” for the University of Tennessee Chancellor’s Honors Program. From 2009-2011, she held the English Department’s Carroll Distinguished Teaching Chair.

Education

  • PhD, The University of Illinois, Urbana-Champaign 
  • MA, The University of Illinois, Urbana-Champaign 
  • BA, Oberlin College 

Specialties

Modernism, Contemporary Fiction, Postcolonial Literature, Women’s Writing

Honors

  • American Philosophical Society Franklin Grant (2024)
  • Robert B. Silvers Foundation Grant for Work-in-Progress (2022)
  • Benjamin Meaker Distinguished Visiting Professor, University of Bristol (2022)
  • Lindsay Young Professorship, University of Tennessee (2021-23)
  • Cunningham Outstanding Teaching Award, University of Tennessee (2020)
  • Harry Ransom Humanities Research Center Research Fellowship    (2020-21)
  • New York Public Library Short-Term Fellowship (2019-20)
  • Fellow, University of Tennessee Humanities Center  (2018-19)
  • National Endowment for the Humanities Summer Stipend   (2017)
  • National Endowment for the Humanities Enduring Questions Grant (2015-17)

Publications

  • Race and the Modernist Imagination. Ithaca: Cornell University Press. 2010.
  • Virginia Woolf, The Life of Violet [1908]. Transcribed, Introduced, and Annotated for Princeton University Press. 2025.
  • Virginia Woolf, Jacob’s Room. [1922] Introduced and Annotated for Oxford World’s Classics. Second Edition. Oxford: Oxford University Press. 2022.
  • “Strange God: Now, Eliot.” Afterword for Eliot Now. Eds. David Chinitz and Megan Quigley. London: Bloomsbury Publishing, 2024. 221-31.
  • “On Jacob’s Room: The Figure and Ground of Protest.” With Sarah Cole, Anne Fernald, and Paul St. Amour. Modern Fiction Studies. Special Issue: ‘Women Thinking in Public,’ eds. Debra Rae Cohen and Catherine Keyser. Vol. 70. No. 3 (Fall 2024): 385-408.
  • “Orienting Virginia Woolf: Race, Aesthetics, and Politics in To the Lighthouse.” Virginia Woolf, To the Lighthouse, ed. Margaret Homans. New York: W. W. Norton & Co., 2023. 312-26. (Reprinted from Modern Fiction Studies. Vol. 50: No. 1 (Spring 2004): 58-84. (Recipient of the 2004 Margaret Church Modern Fiction Studies Memorial Award)
  • “Metamodernism: Narratives of Revolution and Continuity.” With David James. The New Modernist Studies Reader: An Anthology of Essential Criticism. Eds. Sean Latham and Gayle Rogers. London: Bloomsbury, 2021. 318-33. (Reprinted from PMLA. Vol. 129: No. 1 (January 2014). 87-100.)
  • “Language is a Place: A Conversation with Jhumpa Lahiri.” LARB: Los Angeles Review of Books. May 22, 2021.
  • “Virginia Woolf: Family and Place.” The Oxford Handbook to Virginia Woolf. Ed. Anne Fernald. Oxford: Oxford University Press. 2021.7-26.
  • “Encounters with Modernism: Ian McEwan, Jhumpa Lahiri, and the Ethics of Abstraction.” In Modernism’s Contemporary Affect, ed. David James. Modernism/modernity Print-Plus. Vol. 3, Cycle 4. December 11, 2018.
  •  “Time is a Feminist Medium: A Roundtable Conversation with Chitra Ganesh, Aditi Sriram, and Kelly Tsai.” Guest editor, moderator, and author of Introduction. A.S.A.P.| The Journal of the Association for the Study of the Arts of the Present. Vol. 3. No. 1 (January 2018): 13-39.
  • “Mind the Gap! Modernism and Feminist Praxis.” Modernism/modernity: Print-Plus. Guest editor and author of Introduction. (Contributors: Rowena Kennedy-Epstein, Anne Fernald, Cherene Sherrard Johnson, Madelyn Detloff, Ewa Ziarek) August 7, 2017.

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