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Graduate Faculty

Thomas F. HaddoxThomas F. Haddox

Professor

511 McClung Tower
Fax: (865) 974-6926
E-mail: thaddox@utk.edu

Biography

My research focuses primarily on twentieth-century American literature (especially the novel), with strong emphases in the relationship between religion and literature and in Southern literature. I also work in the field of literary theory and have particular interests in the disciplinary overlaps among literary study, history, and aesthetics. My books include Hard Sayings: The Rhetoric of Christian Orthodoxy in Late Modern Fiction (Ohio State UP, 2013), The Limits of Literary Historicism (co-edited with Allen Dunn, U of Tennessee P, 2011), and Fears and Fascinations: Representing Catholicism in the American South (Fordham UP, 2005). I am currently at work on a book project with the working title Toward a Narrative Theory of Grace.”
Recent courses that I have taught include ENGL 341 (Religion and Spirituality in American Literature); ENGL 441 (Southern Literature); ENGL 690 (Special Topics: What We Talk about When We Talk about Historicism); ENGL 436 (Modern American Novel); and several sections of ENGL 482, the department's Major Authors course (Flannery O'Connor and Muriel Spark, William Faulkner, and Eudora Welty and Richard Wright).

Education

  • B.A., Tulane University
  • M.A., University of Kent (England)
  • M.A., Ph.D. Vanderbilt University

Publications

Books

  • Hard Sayings: The Rhetoric of Christian Orthodoxy in Late Modern Fiction.  The Ohio State University Press, 2013.
  • The Limits of Literary Historicism (co-edited with Allen Dunn).  University of Tennessee Press, 2011.
  • Editor, “The South and the Sublime,” a special issue of The Southern Quarterly, 48 (Spring 2011).
  • Fears and Fascinations: Representing Catholicism in the American South.  Fordham University Press, 2005.

Representative articles

  • “‘At the Present Time’: Christian Literary Scholars in the Last Days of Liberalism.” Forthcoming in Christianity and Literature.
  • "Diachronicity, Episodicity, and the Aesthetic of Historicist Criticism.” Forthcoming in Philosophy and Literature.
  • “Legitimation and Limits in English Studies: The Pedagogies of Stanley Fish and Jacques Rancière.” South Atlantic Review 85 (Fall 2020): 37-52.
  • “Unmaking Generations: On Gayl Jones’s Corregidora and the Pastness of the Past.” Twentieth-Century Literature 64 (September 2018): 275-94.
  • "Between History and Aesthetics: Dirt and Desire in Dialogue with Affect Theory and Paul Ricoeur." south: a scholarly journal 2 (Spring 2016): 192-211.
  • Myth as Therapy in Lee Smith's Oral History."  Mississippi Quarterly 68 (Winter-Spring 2015): 257-75.
  • “Literature.” In Keywords for Southern Studies, eds. Scott Romine and Jennifer Greeson.  University of Georgia Press, 2016.  250-63.
  • “Lillian Smith, Cold War Intellectual.”  Southern Literary Journal 44 (Spring 2012): 51-68.
  • “On Belief, Conflict, and Universality: Flannery O’Connor, Walter Benn Michaels, Slavoj Zizek.” In Flannery O’Connor in the Age of Terrorism, eds. Robert Donahoo and Avis Hewitt. University of Tennessee Press, 2010. 231-39.
  • “Religion for ‘Really Intelligent People’: The Rhetoric of Muriel Spark’s Reality and Dreams.”  Religion and Literature 41 (Autumn 2009): 43-66.
  • “John Barth’s The Floating Opera and Southern Modernism of the 1950s.” Twentieth-Century Literature 54 (Fall 2008): 307-38.
  • “Alice Randall’s The Wind Done Gone and the Ludic in African-American Historical Fiction.” Modern Fiction Studies 53 (Spring 2007): 120-39.
  • “The City Reconsidered: Problems and Possibilities of Urban Community in ‘A Stroke of Good Fortune’ and ‘The Artificial Nigger,’” The Flannery O’Connor Review 3 (2005): 4-18.
  • “Elizabeth Spencer, the White Civil Rights Novel, and the Postsouthern,” Modern Language Quarterly 65 (December 2004): 561-81.
  • “Whitman’s End of History: ‘As I Sat Alone by Blue Ontario’s Shore’: Democratic Vistas, and the Postbellum Politics of Nostalgia,” Walt Whitman Quarterly Review, 22.1 (Summer 2004): 1-22.
  • “‘Something Haphazard and Botched’: Flannery O’Connor’s Critique of the Visual in ‘Parker’s Back,’” Mississippi Quarterly 57 (Summer 2004): 407-21.
  • “Making Patriarchy Work for You: Jill Conner Browne’s Southern, Retrofeminist Conduct Manuals,” Southern Quarterly 42 (Spring 2004): 1-17.
  • “The ‘Nous’ of Southern Catholic Quadroons: Racial, Ethnic, and Religious Identity in Les Cenelles”, American Literature 73 (December 2001): 757-78.
  • “The Logic of Expenditure in Their Eyes Were Watching God,” Mosaic 34 (March 2001): 19-34.
  • “Contextualizing Flannery O’Connor: Allen Tate, Caroline Gordon, and the Catholic Turn in Southern Literature,” Southern Quarterly 38 (Fall 1999): 173-90.

Book reviews

  • Review of Farrell O’Gorman, Catholicism and American Borders in the Gothic Literary Imagination. The Flannery O’Connor Review. 17 (2019): 196-98.
  • Review of Critical Insights: Short Fiction of Flannery O'Connor, ed. Robert C. Evans. The Flannery O'Connor Review 15 (2017): 122-24
  • Review of Cosmic Defiance: Updike's Kierkegaard and the Maples Stories by David Crowe. Religion and Literature 48 (Autumn 2016): 169-72.
  • Review of A Lillian Smith Reader, eds. Margaret Rose Gladney and Lisa Hodgens. American Literary History Online Review, Series X (2017).
  • Review of Bryan Giemza, Irish Catholic Writers and the Invention of the American SouthThe Flannery O’Connor Review 12 (2014): 133-35.
  • Review of Peggy Whitman Prenshaw, Composing Selves: Southern Women and Autobiography. Tulsa Studies in Women’s Literature 32.1 (Spring 2013): 239-41.
  • Review of Wendy Piper, Misfits and Marble Fauns: Religion and Romance in Hawthorne and O’ConnorCheers!  The Flannery O’Connor Society Newsletter 18 (Fall 2011): 5-7.
  • Review of Steven R. Watkins, Flannery O’Connor and Teilhard de Chardin: A Journey Together Towards Hope and Understanding About Life. The Flannery O’Connor Review 8 (2010): 152-54.
  • “Audacious Performances,” review-essay of Resisting History: Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty by Barbara Ladd. Mississippi Quarterly 60 (Summer 2007): 605-10.
  • Review of Flannery O’Connor and the Christ-Haunted South, Ralph C. Wood.  Mississippi Quarterly 58 (Spring 2005): 418-22
  • Review of A Singular Modernity: On the Ontology of the Present by Fredric Jameson, Soundings: An Interdisciplinary Journal 86 (Fall/Winter 2003): 563-69
  • “Repeating a Difference: New Readings of the Quixotic and the Religious in Southern Literature,” review essay of Struggles Over the Word: Race and Religion in Faulkner, O’Connor, Hurston, and Wright by Timothy P. Caron, The Southern Inheritors of Don Quixote by Montserrat Ginés, and Walker Percy’s Sacramental Landscapes: The Search in the Desert by Allen Pridgen, Mississippi Quarterly 55 (Winter 2001/02): 133-40.

Professional Service

  • Editorial Advisory Board, The Flannery O'Connor Review
  • Advisory Board, Religion and Literature
  • Executive Council, Society for the Study of Southern Literature, 2015-2017

Awards, Honors & Grants

  • Andrew J. Kappel Prize in Literary Criticism, 2018, for "Unmaking Generations: On Gayl Jones's Corregidora and the Pastness of the Past."
  • Lindsay Young Professor, 2017-2021
  • John C. Hodges Award for Teaching Excellence, 2003
  • British Marshall Scholar, 1994-1996